This story is simple but highly enjoyable. The acting is subtle but effective and the actors are all likable, even the imperfect characters. This is a perfect example of a quality family film of yesteryear filled with humor and feeling.

This is a real family movie and worth your time and money, I find it more interesting in terms of the way things are different now and then.

As a history buff one of the things I’ve noticed about this movie is the acceptance of religion. In one of the climatic scenes of the movie this is assumed that of COURSE the baseball comish believes in Angels, and to say no to that possibility is to say no to scripture. The positive portrayal of religion is another change.

It is interesting to see that the idea that scripture was able to be questioned as unthinkable.

Look for Mrs. Cleaver (Barbara Billingsley) in a bit role that is rather cute.

Cast

• Paul Douglas as Aloysius X. ‘Guffy’ McGovern
• Janet Leigh as Jennifer Paige
• Keenan Wynn as Fred Bayles
• Donna Corcoran as Bridget White
• Lewis Stone as Arnold P. Hapgood
• Bruce Bennett as Saul Hellman

It seems that in Heaven, the Book of Life and The Book of Destiny are all out of balance because of one guy, a Montana saloon keeper and cold, ruthless killer (Brian Donlevy), and the problem is the angels forgot to make a entry in the Book of Life for him. So a Heavenly Messenger (Robert Cummings) named Michael—evidently a favorite name for angels in movies or else some people have long memories—is sent down to do what he can in getting the books balanced. Dance-hall girl Marjorie Reynolds and preacher’s-daughter Jorja Curtwright help complicate the auditing.

The film won the Academy Award for Sound, and was nominated for Best Director, Best Film Editing, Best Music, Scoring of a Dramatic or Comedy Picture and Best Picture.

It was remade in 1996 as The Preacher’s Wife starring Denzel Washington, Whitney Houston, and Courtney B. Vance.

Production

Production was not without troubles. Producer Samuel Goldwyn replaced director William A. Seiter with Henry Koster to create a completely new film. In early previews, audiences disliked the film, so Billy Wilder and Charles Brackett made uncredited rewrites.

Although no denomination is mentioned in the film, the characters are clearly members of the Episcopal Church

Cast

• Cary Grant as Dudley
• Loretta Young as Julia Brougham
• David Niven as Bishop Henry Brougham
• Monty Woolley as Professor Wutheridge
• James Gleason as Sylvester, a sympathetic taxi driver
• Gladys Cooper as Mrs. Hamilton
• Elsa Lanchester as Matilda
• Sara Haden as Mildred Cassaway
• Karolyn Grimes as Debby Brougham
• Tito Vuolo as Maggenti
• Regis Toomey as Mr. Miller
• Sarah Edwards as Mrs. Duffy
• Margaret McWade as Miss Trumbull
• Anne O’Neal as Mrs. Ward
• Ben Erway as Mr. Perry

Niven was originally cast as the angel, Dana Andrews as the bishop, and Teresa Wright as his wife. However, Wright had to bow out due to pregnancy. According to Robert Osborne, Andrews was lent to RKO in order to obtain Loretta Young. Koster then brought in Cary Grant, but he wanted to play the angel, so the role of the bishop was given to Niven.

The film takes place in the fictional town of Bedford Falls shortly after World War II and stars James Stewart as George Bailey, a man whose imminent suicide on Christmas Eve gains the attention of his guardian angel, Clarence Odbody (Henry Travers) who is sent to help him in his hour of need. Much of the film is told through flashbacks spanning George’s entire life and narrated by Franklin and Joseph, unseen Angels who are preparing Clarence for his mission to save George. Through these flashbacks we see all the people whose lives have been touched by George and the difference he has made to the community in which he lives.

The film is regarded as a classic and is a staple of Christmas television around the world, although, due to its high production costs and stiff competition at the box office, financially, it was considered a “flop.” The film’s break-even point was actually $6.3 million, approximately twice the production cost, a figure it never came close to achieving in its initial release. An appraisal in 2006 reported: “Although it was not the complete box-office failure that today everyone believes … it was a major disappointment and confirmed, at least to the studios, that Capra was no longer capable of turning out the populist features that made his films the must-see, money-making events they once were.^“

It’s a Wonderful Life was nominated for five Oscars without winning any, but the film has since been recognized by the American Film Institute as one of the 100 best American films ever made, and placed number one on their list of the most inspirational American films of all time.

Production

Background

The original story “The Greatest Gift” was written by Philip Van Doren Stern in November 1939. After being unsuccessful in getting the story published, he decided to make it into a Christmas card, and mailed 200 copies to family and friends in December 1943. The story came to the attention of RKO producer David Hempstead, who showed it to Cary Grant’s Hollywood agent and, in April 1944, RKO Pictures bought the rights to the story for $10,000 hoping to turn the story into a vehicle for Grant. RKO created three unsatisfactory scripts before shelving the planned movie with Grant going on to make another Christmas picture, The Bishop’s Wife.

At the suggestion of RKO studio chief Charles Koerner, Frank Capra read “The Greatest Gift” and immediately saw its potential. RKO, anxious to unload the project, sold the rights in 1945 to Capra’s production company, Liberty Films, which had a nine-film distribution agreement with RKO, for $10,000, and threw in the three scripts for free. Capra, along with writers Frances Goodrich and Albert Hackett — with Jo Swerling, Michael Wilson, and Dorothy Parker brought in to “polish” the script— turned the story and what was worth using from the three scripts into a screenplay that Capra would rename It’s a Wonderful Life.

Filming

It’s a Wonderful Life was shot at the RKO studio in Culver City, California, and the RKO Ranch in Encino, where “Bedford Falls” was a set covering four acres, assembled from three separate parts with a main street stretching 300 yards (three city blocks), with 75 stores and buildings, a tree-lined center parkway and 20 full grown oak trees. For months prior to principal photography, the mammoth set was populated by pigeons, cats and dogs in order to give the “town” a lived-in feel. Due to the requirement to film in an “alternate universe” setting as well as during different seasons, the set was extremely adaptable. RKO created “chemical snow” for the film in order to preclude the use of dubbed dialogue when actors walked across the earlier type of movie snow, made up of crushed cornflakes. Filming started on April 15, 1946 and ended on July 27, 1946, exactly on deadline for the 90-day principal photography schedule.

The RKO ranch in Encino, the filming location of Bedford Falls, was razed in the mid-1950s. Because of this there are only two remaining locations from the film. The first is the swimming pool that was unveiled during the famous dance scene where George courts Mary. It is located in the gymnasium at Beverly Hills High School and is still in operation as of 2008. The second location is the Martini home in fictional Bailey Park. This home is located at 4587 Viro Road in La Canada Flintridge, California.

During filming, in the scene where Uncle Billy gets drunk at Harry and Ruth’s engagement party, George points him in the right direction home. As the camera focuses on George, smiling at his uncle staggering away, a crash is heard in the distance and Uncle Billy yells, “I’m all right! I’m all right!” Equipment on the set had actually been accidentally knocked over — Capra left in Thomas Mitchell’s impromptu ad lib.

The full extent of Mr. Potter’s deviousness is never revealed to the other characters in the film, and he is never brought to account for sequestering the $8,000, although Capra filmed an alternate ending that was subsequently cut wherein Potter receives a “comeuppance”.

While George sees what life would be like without him, Harry’s would-be grave displays the dates 1911–1919, contradicting Clarence’s statement that Harry died at the age of nine.

Reception

It’s a Wonderful Life premiered at the Globe Theatre in New York on December 20, 1946 to mixed reviews. While Capra considered the contemporary critical reviews to be either universally negative or at best dismissive, Time magazine said, “It’s a Wonderful Life is a pretty wonderful movie. It has only one formidable rival (Goldwyn’s The Best Years of Our Lives) as Hollywood’s best picture of the year.… Director Capra’s inventiveness, humor and affection for human beings keep it glowing with life and excitement.”^[18] Bosley Crowther, writing for The New York Times, complimented some of the actors, including Stewart and Reed, but concluded that “the weakness of this picture, from this reviewer’s point of view, is the sentimentality of it — its illusory concept of life. Mr. Capra’s nice people are charming, his small town is a quite beguiling place and his pattern for solving problems is most optimistic and facile. But somehow they all resemble theatrical attitudes rather than average realities.” One motion picture industry source reported to the FBI in 1947 that the movie resembled Communist propaganda in its making a banker the most despised person in the story.

The film, which went into general release on January 7, 1947, placed 26th in box office revenues for the year (out of more than 400 features released), one place ahead of another Christmas movie, Miracle on 34th Street.

In 1990, It’s a Wonderful Life was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in their National Film Registry.

In 2002, Britain’s Channel 4 ranked It’s A Wonderful Life as the seventh greatest film ever made in their poll, “The 100 Greatest Films” and in 2006, It’s A Wonderful Life reached #37 in Channel 4′s “100 Greatest Family Films” poll. It’s A Wonderful Life currently ranks 30th on the IMDB‘s top 250.

In June 2008, AFI revealed its “Ten top Ten” — the best 10 films in 10 “classic” American film genres — after polling over 1,500 people from the creative community. It’s a Wonderful Life was acknowledged as the third-best film in the fantasy genre.

A more iconoclastic viewpoint was expressed by Wendell Jamieson in a 2008 New York Times article, which posited that the film “is a terrifying, asphyxiating story about growing up and relinquishing your dreams, of seeing your father driven to the grave before his time, of living among bitter, small-minded people. It is a story of being trapped, of compromising, of watching others move ahead and away, of becoming so filled with rage that you verbally abuse your children, their teacher and your oppressively perfect wife.”

Cast

• James Stewart     George Bailey
• Donna Reed     Mary Hatch Bailey
• Lionel Barrymore     Henry F. Potter
• Thomas Mitchell     Uncle Billy Bailey
• Henry Travers     The angel – Clarence Odbody (angel 2nd class)
• Beulah Bondi     Mrs. Bailey
• Frank Faylen     Ernie Bishop
• Ward Bond     Bert
• Gloria Grahame     Violet Bick
• H. B. Warner     Mr. Gower